Fabrication 2 2012 Hand-woven archival ink-jet prints
28 x 19 cm (text by Udo Kultermann from Viva Pancho: www.guedes.info/vivapdf.htm)
Fabrication 1 2012 Hand-woven archival ink-jet prints
20,5 x 20,5 cm (text by Udo Kultermann from Viva Pancho: www.guedes.info/vivapdf.htm)
One Dollar 2011 Map of Zimbabwean farming regions hand-woven with 300 trillion Zimbabwe dollars
82 x 89 cm
300 trillion Zimbabwe dollars represents the amount of Zimbabwe Dollars required to buy one US Dollar on the black market at the height of inflation in February 2009. The shredded bank notes in this work are Z$50 Billion Zimbabwean Special Agro (Agricultural) cheques. This currency was initially only intended for farmers, but it found its way into regular use because of the parallel functions with bearer cheques and the exponential rise of food prices.
Samizdat 2011 Page from The Theory and Practice of Oligarchical Collectivism, in theory. Hand-woven ink-jet archival prints
28 x 19 cm
Furry boots ye fae? 2010 Photographic Lambda print
76,2 x 50,8 cm (image by Matthew Sandager)
In that northeast of Scotland the local dialect is called Doric. And in that dialect ‘Furry boots ye fae?’ means ‘Whereabouts are you from?’
http://artthrob.co.za/Videos/One-Minute-Video-Dan-Halter.aspx
This was part of a project done during a residency at the Glenfiddich Distillery in Dufftown, Scotland.
in collaboration with Adam Davies
Dan Halter and Adam Davies, collaborated on this project at the Beitbridge border between Zimbabwe and South Africa. This border is a notorious crossing point for Zimbabwean immigrants who make their way illegally into South Africa. Dubbed the derogatory ʻamakwerekwereʼ in South Africa these foreigners often face harsh realities and xenophobia from their South African counterparts.
ʻShifting the goalpostsʼ or ‘moving the goalposts’ is a metaphor derived from association football or other games, that means to change the criterion (goal) of a process or competition while still in progress, in such a way that the new goal offers one side an intentional advantage or disadvantage.
This phrase could be used to describe the situation these migrants find themselves in – when having survived the border-crossing, they are suddenly forced to flee their new home due to xenophobic violence.
Taking the phrase ʻshifting the goalpostsʼ literally, Halter and Davies swapped one set of goalposts from a soccer field in Musina, South Africa with another from a soccer field in Beitbridge, Zimbabwe. The two affected fields now each have local and foreign goalposts, politicizing the current relations between the two countries.
‘Shifting the goalposts’ was situated in the timely context of South Africa hosting the 2010 FIFA Soccer World Cup. This photographic series depicts a dirt soccer pitch in a poor Musina township similar to those where the majority of South Africans play the game. This is in stark contrast to the current costly mega-stadiums that have been built in the major cities funded by the government.
Beitbridge Moonwalk 2010
Inspired by a story told to me by a Zimbabwean immigrant in Cape Town. He related to me how when crossing the border illegally from Zimbabwe into South Africa his group walked backwards to avoid detection by the border police. In doing so they deployed a military tactic of leaving footprints facing in the opposite direction to throw off pursuit. He also pointed out that they could change direction in an instant.
One project that shaped out quite differently in its final form, involved 225km of red yarn. This is equivalent in length to the distance of the border between Zimbabwe and South Africa. Initially this length of yarn was unravelled along a road used by the South African Army to patrol the border. Although in its final incarnation this work became V.I.P Border. Images by Steph Venter
V.I.P Border 2010 225km of red yarn, equivalent in length to the distance of the border between Zimbabwe and South Africa custom-made into a Velvet rope 94.64m long, gold stanchions














